Me = Douchebag.
Monday, September 24, 2007
Sunday, September 16, 2007
well es
Plot
The setting is a mid-19th Century American repertory theater. The play begins subtly as the audience arrives with the cast milling around an empty stage. The cast members generally fool around and complain about their boss and their forthcoming production of King Lear. Then, making a big dramatic entrance and smoking a cigar, the actor manager of the time comes onstage and tells them they are going to rehearse another piece, Moby Dick.
The cast grudgingly performs the play, improvising scenery from items lying around, and gradually get more into character as the play develops.
http://en.wikipedia.org/wiki/Mercury_Theatrehttp://www.mercurytheatre.info/
http://www.geocities.com/orsonwelleslives/
Friday, September 14, 2007
Footloose opens tonight!
Hey!
I directed a musical! I know, how odd!
Anyway, this is me begging you to come see it! It's pretty cool. It has some awesome acting and singing and is something different than what you'd expect.
And get this, it's UNDER 2:30! it might even be 2 hours and fifteen minutes. No where NEAR the three hours you've come to expect!
But seriously, it's a good show that we're all proud of and I'm inviting you to see it and send me a comment, reviewing it if you'd like. Just keep in mind to let me know whether you want me to post the review publicly or not (default is yes, good or bad).
Get tickets HERE!
I directed a musical! I know, how odd!
Anyway, this is me begging you to come see it! It's pretty cool. It has some awesome acting and singing and is something different than what you'd expect.
And get this, it's UNDER 2:30! it might even be 2 hours and fifteen minutes. No where NEAR the three hours you've come to expect!
But seriously, it's a good show that we're all proud of and I'm inviting you to see it and send me a comment, reviewing it if you'd like. Just keep in mind to let me know whether you want me to post the review publicly or not (default is yes, good or bad).
Get tickets HERE!
Opening Night
Tonight we open Footloose.
The cast is doing a fine job. They look great, they act at about 70-90% of my expectations, they sing beautifully for about 850-90% of the show, and they also perform some dances.
I know, that's not really a glowing review and I'm the director so I should be Mr. #1 cheerleader. But I'm not and I can't. I'm not happy with the final product (rarely happens that I am), but it's more because of the backstage crap and drama that happened. Theatrical experience doesn't need to be a horrific, stressful, over-the-top "oh-my-god-everything-is-going-wrong-what-are-we-going-to-do" kind of thing. In the scope of things, a bad production may lose money, but it's not worth the aggravation that some ascribe to it. The whole mountain out of molehills cliche is so completely apt for theatre and theatre people that I can understand why the whole thing turns off more reasonable folks.
But it opens tonight, and I'm proud of a lot of the moments that happen. There is a sort of electricity in some of the scenes, and I can only hope that it extends throughout the entire production.
I had a long gripe about the production troubles, but I'll save that for another time.
So do I recommend it? I do. I've directed it differently than the rest of the chaff that passes for musical theatre these days. Will different be better or worse? I'm sure people will have mixed reactions, which is what I always aim for, because mixed reactions generally means I crossed out of the audience's comfort zone of expectations.
The cast is doing a fine job. They look great, they act at about 70-90% of my expectations, they sing beautifully for about 850-90% of the show, and they also perform some dances.
I know, that's not really a glowing review and I'm the director so I should be Mr. #1 cheerleader. But I'm not and I can't. I'm not happy with the final product (rarely happens that I am), but it's more because of the backstage crap and drama that happened. Theatrical experience doesn't need to be a horrific, stressful, over-the-top "oh-my-god-everything-is-going-wrong-what-are-we-going-to-do" kind of thing. In the scope of things, a bad production may lose money, but it's not worth the aggravation that some ascribe to it. The whole mountain out of molehills cliche is so completely apt for theatre and theatre people that I can understand why the whole thing turns off more reasonable folks.
But it opens tonight, and I'm proud of a lot of the moments that happen. There is a sort of electricity in some of the scenes, and I can only hope that it extends throughout the entire production.
I had a long gripe about the production troubles, but I'll save that for another time.
So do I recommend it? I do. I've directed it differently than the rest of the chaff that passes for musical theatre these days. Will different be better or worse? I'm sure people will have mixed reactions, which is what I always aim for, because mixed reactions generally means I crossed out of the audience's comfort zone of expectations.
Sunday, September 9, 2007
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